Zanzibar: Music Of Celebration
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Zanzibar: Music Of Celebration (Topic Records)

Recordings, text and photographs by Janet Topp Fargion Taarab is the most common style of music performed at weddings on the island of Zanzibar - a unique blend of musical elements from the Middle East, India and the West, combined with, to varying degrees, local African musical practices. It is an essential ingredient of most celebrations. And when Zanzibaris are not playing taarab, they are playing maulidi. Although this is primarily a sober religious performance style (celebrating the birth of the Prophet Mohammed) it is also becoming common at wedding celebrations, albeit in a more extrovert guise. Here, recited chapters of the Koran are interspersed with kasida (hymns) accompanied on several tuned frame drums. These recordings, made at actual celebrations and in rehearsal for big events, give us a glimpse of the ethnic, religious, and gender composition of this Indian Ocean island culture.

This release in the Topic World Series has been produced in conjunction with the International Music Collection of the British Library National Sound Archive. Started in 1955, The British Library National Sound Archive is one of the largest in the world and now holds over a million discs, 175,000 tapes and many other sound and video recordings.

The International Music Collection of the NSA holds recordings of traditional, folk and world music. Its aim is to collect, preserve and make accessible a comprehensive collection of music from all over the world. It covers thousands of styles and genres, both traditional and modern, from hundreds of countries.

International music has been a core collecting area for the NSA since its establishment and today the section is one of the largest and most wide-ranging in the world. One of the aims of the NSA is the wide dissemination of the music and information in its collections and the series of CDs produced in collaboration with Topic Records is a significant undertaking. For the most part the recordings are drawn from holdings of unpublished, unique field recordings, but they may also include reissues of 78rpm discs and LPs.

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