Guy Warren (Kofi Ghanaba)
The Divine Drummer - Odumankuma
$17.99
Unreleased classic recordings from the late 60s by one of Africa's most enigmatic musicians, a drummer who Max Roach once said "was so far ahead of what we were all doing, that none of us understood what he was saying... in order forAfrican-American music to be stronger, it must cross-fertilize with its African origins... we ignored him." More than three decades later, this is the stuff of legend, a text book for American contemporary jazz and modern African roots-fusion.
Listen (courtesy of Stern's Music)
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| Simply as a drummer, Warren / Ghanaba makes ordinary jazzmen sound pretty wispy. His are fertile rhythms in themselves. They are music, not backing, not rhythm track, but the starting point for a spiritual and musical feast, from a man not afraid to be himself. Freedom-lovers, step this way. - Rick Sanders (Read the complete fRoots review) |
From the record label:
A vibrant basketful of drums, percussion beats, chanting and flutes of fantasy leads into a surprising series of instrumentals using harmonica, piano, bull roarer. And voice. On one track Warren preempts scratching by scat vocalising in a stop-start technique that is more than just a beat generation period piece, while the deconstructed swing music has a contemporary edge. Some of this is spacy stuff. Strictly not for squares.
Warren, aka Kofi Ghanaba, is a unique and radical figure in African music. A leading member of the Tempos highlife band, he is credited with introducing African percussion into American jazz in the 1950s, from the large fomtomfrom drums to talking ‘squeeze’ drums, shakers and other idiophones. He jammed or rehearsed with jazz legends Charlie Parker, John Coltrane and Thelonius Monk. He played with Lester Young and the Sarah Vaughan Trio in the Birdland All-Stars and recorded several albums in the States which sold millions of copies.
As the master drummer Max Roach later remarked: "Ghanaba was so far ahead of what we were all doing, that none of us understood what he was saying – that in order for African-American music to be stronger, it must cross-fertilize with its African origins... we ignored him. Seventeen years later the African sound of Ghanaba is now being imitated all over the United States."
By the end of the 1960s, Warren had changed his name to Kofi Ghanaba, meaning ‘son of Ghana’. He embraced Buddhism and began to experiment with new forms of music — and this is some of it. Thirty years later, the drum legend is still ahead of his time.
Drum legend is still ahead of his time
An aural adventure in rhythm from one of Africa’s legendary figures, an eclectic, even eccentric, selection of previously unreleased material recorded by Africa’s most controversial and enigmatic drummer. By coincidence most of it was recorded in the same year, 1969, as our two most recent albums but they could not be more different.
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