The Polina Shepherd Vocal Experience
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cd cover The Polina Shepherd Vocal Experience
Baym Taykh (Oriente)

Singer, composer and pianist Polina Shepherd, of Russian-Jewish descent, lives and works in Brighton,UK with her husband Merlin Shepherd (clarinet, guitar, saxophone). They are among the most innovative musicians in the Jewish Music scene in Europe today - be it New Yiddish Song or Classic Klezmer. With Quartet Ashkenazim they range from beautiful unison to skilfully executed four part harmony. The traditional ornamentation and modes of the songs are known and yet the new melodies suggest that the tradition has never been broken. The songs cover many themes and are settings of Yiddish poems.

   

Musicians: Polina Shepherd: piano
Merline Shepherd: clarinet, saxophone, guitar
The Vocal Quartet Ashkenazim: Polina Shepherd, Yana Ovrutskaya, Evgenya Slavina, Merlin Shepherd
Guest musician: Simon Russell, double bass

  • 1. Ai-yai-yai 5:44
  • 2. Shpitsn berg (Lyrics Osher Shvartsman) 1:48
  • 3. A frisher vint (Lyrics David Hofshtein) 3:00
  • 4. Tsvey mol tsvey iz fir 3:15 (Lyrics H.Leivick i.e. Leivick Halper)
  • 5. Nit ikh veyn un nit ikh lakh 2:36 (Lyrics Shike Driz)
  • 6. Der heyliker Balshemtov 4:47 (Lyrics Zisha Landau)
  • 7. Tsvey (Lyrics Moyshe Kulbak) 2:09
  • 8. Tirtl-toybn (Lyrics Abraham Sutzkever) 1:02
  • 9. Lernendik geyen 0:59 (Lyrics Yitskhok Leybush Peretz)
  • 10. Dertseyl (Lyrics Moyshe-Leyb Halpern) 4:42
  • 11. Oy, a shuster darf ikh nisht (Lyrics trad.) 3:11
  • 12. A nigndl (Lyrics Shike Driz) 3:01
  • 13. Vos vilstu (Lyrics trad.) 3:23
  • 14. Baym taykh (Lyrics Mani Leyb) 5:16
Singer and pianist Polina Shepherd, of Russian-Jewish descent, lives and works in Brighton/UK with her husband Merlin Shepherd. They both are among the most innovative musicians in the Jewish Music scene - be it New Yiddish Song or Classic Klezmer. Listening to "Baym Taykh" one will appreciate Polina as a gifted composer, too. Here is an original writer giving voice to a wealth of ideas, with vigour, and with originality.

The Quartet Ashkenazim is the perfect interpreter of these ideas. Ranging from beautiful unison to skilfully executed four part harmony, often within the space of a single bar, the members all both strong soloists and wonderful ensemble singers, draw the listener into a musical world that is both unknown and yet strangely familiar. The traditional ornamen-tation and modes of the songs are known and yet the melodies, new and unheard suggest that the tradition has never been broken. The selection of songs cover many themes and are settings of wonderful Yiddish poems, a variety as diverse and as intricate as can be expected from the canon.

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