Radicanto
Terra Arsa (corde pelli e papiri)
17.99
Listen! (more audio below)
Music that holds the heat of Salento, in southern Italy, and translates that energy into a uniquely personal statement.
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More from Radicanto: Lettere Migranti (2003)
| Through the use of acoustic instruments ranging from berimbau and dumbeck to standing bass, flute and from accordion to zampogna and tamburello, the interpretations of the mosty traditional songs render the spirit of this land familiar... This is music of rare beauty, performed with respect and proficiency, while simultaneously taking chances, cuddling up to jazz (an idiom that lends itself to this musical tradition), and using influences from other lands and poetry...The final, lasting impression is of a musical tradition that is one of the most melodic and beautiful of Italy and, dare I say, the whole world, and a band that succeeds in uniting the three elements that make up its name: roots, song and radicalism." - Nondas Kitsos |
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CD tracks: 1.Mmienza mmare / Canto del mare(Tradizionale/F. Greco) 456" 2.Rurjane (Tradizionale) 354" 3.Questa mattina mi sono alzato (Tradizionale) 047" 4.Fronni dAlija (Tradizionale) 417" 5.Tarantella di Tricarico (Tradizionale) 254" 6.Lu Rusciu (Tradizionale) 442" 7.La canzone di Finella (G. De Trizio) 432" 8.Strummolo (M. Salvi) 303" 9.U Cant du Navigant (E. Delre) 514" 10.Valzer di Bitonto (Tradizionale)316" 11.La Monachelle (Tradizionale) 402" 12.Terra arsa (G. De Trizio) 228" 13.U Tomme (Tradizionale) 036" 14.Janne Janne (Tradizionale) 310" 15.Pizzica di Costernino (Tradizionale)223" |
The Musicians:
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The band's own comments from the liner notes:
"Terra Arsa" - "land burnt" by the sun: here is where
the tarantella was born, during the cyclic moments
of uncertainty of life in the fields, when the rhythm
of nature and farm work could mean a dignified year
or one of hunger and misery. In the scorching heat,
Melancholy was sometimes cured by musicians with
melodies which took your imagination far away from
the countryside. This new record contains, amongst
others, also several of these
tracks, in which the theme of love became intwined
with that of the
passionate and conflictual relationship with the sea,
whose immense waters could only placate the long
thirst of the soul.
Terra Arsa gathers the sounds, images and
suggestions coming from the human and musical
vicissitudes we have experienced in the last few
years. The result is a handful of photos which depict
scenes stolen from everyday life, work songs,
conversations with the sea, loneliness, secrets,
sun-baked souls, partying sounds.
Our attempt as musicians and composers is that of
reviving tradition via energy, inspiration, tastes
which vary according to each person's
sensitivity. In this second album, too, the respect
and gratitude for the elderly singers who passed
down our oral traditions remains very strong,
however the echoes present in our music are no
longer simply those of their voices and their
instruments but also those of other people who
mixed amongst them, who in the past were not so
recognised but are today clearer thanks to the
greater awareness of how different cultures have
always mixed.
Terra Arsa started its journey with a rethinking of
tradition and came to land, unexpectedly, with new
original music, which uses our dialects as a pretext
for weaving new sounds.
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