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Results for: rim banna

Rim Banna - Seasons of Violet
Palestinian vocalist Rim Banna performsa selection of new Palestinian love songs with a fine international ensemble featuring Eivind Aarseth (guitar), Gjermund Silset (bass), Rune Arnesen (drums) and David Wallumr°d (keyboards), in addition to her husband Leonid Aleixenco (acoustic guitar). The title refers to the lilac, a violet flower which in Palestine is a symbol of love. All the songs have been composed by Rim Banna together with Leonid Aleixenco, while her mother has written some of the lyrics.

Rim Banna - April Blossoms
Songs from Palestine dedicated to all the children is the subtitle of this unique recording by singer Rim Banna. Again joined by a phenomenal group of jazz and popular musicians from Norway and the middle east - and on some tracks a small chorus of children from both countries - she forges a powerful contemporary music focused on the trials and joys of live in Palestine.

Banna, Barghouti, Murad, Jawaher Shofani - A Time to Cry: A Lament Over Jerusalem
Palestinian singers Rim Banna, Nai Barghouti, Wissam Murad, Jawaher Shofani present songs for Jerusalem, accompanied on traditional and modern instruments with musicians from Norway, the US and the Middle East. The recordings were made in a Palestine home in East Jerusalem that was (in May of 2010) threatened with eviction to make way for new Jewish housing.

Banda di Avola - A Banna!
A HUGE band of horns, reeds, woodwinds and percussion from Sicily offer a series of spirited, tongue-in-cheek marches from the 1920s, capable of captivating both players and audience alike. For those who enjoy Banda Ionica, here is a different look at the Sicilian brass band tradition, more raucous, more abandoned and wild.

Rim Banna - The Mirrors of My Soul (US edition)
The Palestinian singer who gained global recognition as part of the Lullabies from the Axis of Evil project returns with a Norwegian band in a modern recording of Palestinian songs. It veers from emotionally charged, sparsely arranged songs to full-tilt pop-rock, and has the huge advantage of not allowing a drum machine within 4000 miles of the studio. As Arab pop goes, this is throughly unique.

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