In his own words

Norwegian musician Andreas Aase talks about inspiration in an age of glut.

cd cover Any musician who has played for a certain period starts making choices. There's a million good musicians in the world (not to mention bad ones), and, let's face it, way too many CDs spewed onto the market every day. So the inevitable questions arise: What do I want to play? Why do I want to play it? What can I play to make the listener and myself feel that something different, and significant, is taking place? Sturla Eide Sundli and myself have found each other in the very simple fiddle/guitar duo format, drawing on Sturla's expertise on Norwegian folk music and my years as a guitar player in many different genres. What drew us together was the sense that there are back roads and working methods still unexplored in the realm of Scandinavian traditional music. Our common denominator turned out to be the desire to look inward in the music; to combine different tunes, keys and metres to clarify them more to the listener – and to ourselves – than the common practise dictates. Fiddle music from Norway is a pretty intense affair, with drones and ornaments providing a lifetime of challenge to any aspiring performer of the instrument. We chose the opposite direction, and started peeling away almost everything but the essential melodies and the rhythms and harmonies they suggest – hence the expression "the core of the tune" on our album cover.

This is a balancing act. Play with too much technique and power, and you'll rape whatever potential for flow the music contains. Subtract too much, rely on the reverb and sustain, and you'll wind up on the new-agey, meditation-tape side of things.

We're two years into the life of this little duo now, and we take great pride in noting the fact that people from all kinds of musical backgrounds have started to come to our gigs for a quiet listening experience. Sturla and I are probably the last two persons to know whether or not we've reached our initial goal – we'll probably spend the rest of our lives trying to get there – so the quest simply continues: play music as good and essential as possible, and leave it to others to judge the quality and relevance of what we do. At the every least, we ourselves take away great joy and tremendous fun from performing this stuff. - Andreas Aase

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