Most of our CDs have been imported from Europe or Asia. They are not all shrink-wrapped, and I am not going to con you by wrapping them here just to make you think they have been sterilized in America. I guarantee that the CDs and the contents are all brand new and in perfect condition. Whenever I can, I use recycled shipping materials. They may not look as pretty on the outside, but they save money and keep the trash dumps a little bit emptier.
Thanks- Cliff, cdRoots
Solju : Odda Aigodat (New Times)
Ulla Pirttijärvi is familiar to many who follow the music of this part of the world, having forged a long career in both folk and art music circles, bringing the voice of the Sapmi people to the world. Her daughter adds a more contemporary voice to the mix on this new album, Odda Áigodat (New Times), where they are also joined on some tracks by throat singers, percussionists, cello, bass and some keyboards, and members of the Czech National Symphony Orchestra. At the heart of it is always the sound of the unique and mesmerizing vocal technique called joik and songs in the Sapmi language. They present raw, primal folk chants, gorgeous folk songs and some outer-fringe new sounds throughout the recording.st-wamato
The Bhundu Boys : The Shed Sessions (2 CDs)
One of the best guitar bands in the world, this is the epic Zimbawean band recorded early in their career and at the height of the talents and energy. Your purchase of this CD supports RootsWorld Radio and Magazine.
Luisa Cottifogli : Come Un Albero D'Inverno
Italian singer Luisa Cottifogli came to my attention in 2000 with her remarkable first recording, Aiò Nenè. The recording was subtitled, "I come from the North, but I am from the South," and explored the dichotomy between Italy's colder, richer, more urban north and its warmer, poorer and more rural south. But she was born in the Alps and that is where she returns on Come Un Albero D'Inverno, as she and her ensemble proclaim in the opening track, "Yodel," where they take what in other parts of the world is considered a cliché of the past and place it in the bold, beautiful now. A highly recommended recording that focuses on the human voice in solo and ensemble settings.
Orchestra Super Mazembe : Mazembe@45RPM
In the West it's easy to forget that the story of African music often lies not in its albums, but in its singles, and the reason is simple. As compiler Doug Paterson notes, "in Kenya in 1980, the average music fan might not have found it too difficult to come up with 10 shillings for a single, but it would have been much harder to find the 55 shillings necessary for an album." This album, then, is in homage to those singles. A selection of tracks from the late 1970s, all but two (Mwana Mazembe & Na Bimaka Te) have never appeared on albums, and none on CD or as legal downloads before now.
Africando : Tierra Tradicional
The second recording by this African-Latin fusion supergroup
Djeli Moussa Diawara and Bob Brozman : Ocean Blues
The American slide guitarist colaborates with the west African kora master on a set of surprising and unique songs.
Boubacar Traore : Dounia Tabolo
Boubacar Traore is not only one of Africa's best guitarists and songwriters, he is also one of my avorite artists, in any genre from any where in the world. His performance is personal. His voice is a thing of rugged beauty; his guitar playing a prod to the ear - crisp and punctuated. It is accented rather than overwhelmed by the musicians assembled in the studio. Dounia Tabolo was recorded in Lafayette, Louisiana, with his usual mates, Vincent Bucher (harmonica) and Alassane Samaké (calabash, shaker & percussion). Joining them are Cedric Watson (violin & washboard), Corey Harris (guitar and voice), and Leyla McCalla (cello and voice). These CDs were donated by the artist and Lusafrica, so all proceeds go to support RootsWorld. Please note that this CD comes in a simple sleeve with the complete booklet. No jewel box.
Goran Mansson & Friends : Ol'jansa
The friends being Emma Ek Ahlberg, Patrik Kallstrom, Karin Nakagawa, Martin von Schmalensee and Olof Jonsson, in a lively set of songs, tunes, dances and compositions that set Månsson's many flutes against ensemble arrangements with fiddle, pump organ, guitar, melodica, koto, bass, percussion and some documentary recordings used as a starting point for new interpretations.
Monsieur Doumani : Angathin (The Thorn)
This trio was founded in 2011 in Nicosia, Cyprus by Antonis Antoniou (tzouras), Angelos Ionas (guitar) and Demetris Yiasemides (trombone, flute). They turn Cypriot folk music inside out, add poetry and politics, and on their third album, they have created what I think is a masterwork of nearly-all-acoutic folk, rock and roots.
Kapela Maliszow : Wiejski Dzez [Village jazz]
Kapela Maliszów says "We don't play traditional music, we are tradition!" Wiejski Dzez" [Village jazz] is testament to the Maliszów's unrelenting urge to explore the types of music not necessarily popular or well received in the rural communities. Village jazz represents their very unique and individualized approach to harmony. Listening to their music you can still discern the trance-like and inconceivable rhythms and melodies of mazurkas, but something different also comes to the surface a new quality.
Makan Badje Tounkara : Daba
Badje has been pursuing a rich career, notably alongside such renowned artists as Salif Keïta, Baba Maal, Ami Koïta, Tata Bambo, Kandia Kouyaté and his aunt Mah Damba. Considered an innovator of the Mande instrument, he has added three strings to his ngoni to open up the range of sound.
Riccardo Tesi and Banditaliana : Maggio
From the RootsWorld review: 'Riccardo Tesi always escapes easy pigeon-holing. He is idiosyncratic without being abrasive, cutting edge without the hard edge. He is a gentle fusionist, bringing together new and old worlds so that's it's hard to know where one starts and the other ends. On Maggio, his latest with Bandtaliana, the sound is vintage Tesi: a refinement of traditional music that has the well-aged, heartfelt soul of folk music, but is as assuredly lovely as a classical wind quartet. Underneath the overall gentle spell that Tesi casts are shades and layers of sophistication.'
various artists : Lost in China
I don't often choose a compilation recording for Music of the Month, but I made one of the exceptions for this recording, a collection of songs by 13 different artists or ensembles from urban Beijing to the desert of Xinjiang, mostly younger artists looking to explore and sometimes confound local traditions. Most of the musicians have not been heard outside of China, or even their own region, before so I think this makes a case for choosing this CD.
ba.fnu and Yann-Fanch Kemener : YFK-2016
Czech band meets legendary Breton singer Yann-Fañch Kemener. The Czechs have an affinity for both Czech and other European styles, but especially Breton fest-noz tunes. Yann-Fañch Kemener supplies the Breton vocals distinguished by a call-and-response pattern, that accompanies dancing. The musicians largely work with tracks that Kemener collected, while three of the tracks feature modern lyrics. The whole work is conceived as a 'calendar' with songs and recitations for each month. (A RootsWorld selection)
Saeid Shanbehzadeh : Pour-Afrigha
Saied Shanbehzadeh combines bagpipes and saxophones with the voice of Rostam Mirlashari, the jazz guitar of Manu Codjia and the percussion of Naghib Shanbehzadeh. Pour-Afrigha ("descendant of Africa") is the name that Saeid's mother, born of the third generation of Africans deported to Persia from Zanzibar and enslaved there.
Kries : Selo Na Okuke / Village Tracks
Kries makes wonderfully raw yet thoroughly modern music from Croatia. Driven by men's voices, bowed strings, primitive flutes, drums and more, this is music that speaks to centuries of history and the future, as well. This is a RootsWorld Music of the Month recording, donated by the artists to help support RootsWorld radio and magazine projects. All of your purchase price goes to support RootsWorld.
Maria Kalaniemi and Eero Grundstrom : Svalan
Finnish accordionist and singer Maria Kalaniemi and harmonium (pump organ) player Eero Grundström have created a set of new works and reworkings of old songs from the Finno-Swedish tradition. They range from the lyrical to the challenging, and touch on both the east and west, from the western sea to the eatern reaches of Karelia. On some tracks they are joined by Pekko Käppi (bowed lyre and vocals) and Mikko Kosonen (guitars).
Darshan : Raza
A RootsWorld Music of the Month selection. Inspired by the mystical poetry and songs of Judaism, Brooklyn based Darshan breathes new life into ancient Hebrew and Aramaic texts. With a deep interest in the connection between music, poetry and their own religious experiences, rapper Eden Pearlstein (ePRHYME) and singer Basya Schechter (Pharoah's Daughter), joined by a stellar ensemble, turn classic texts and traditional prayers into contemporary arrangements that reach into the past and pull it into a world of pop, folk and jazz. (Read more and listen here)
Orchestres Nationaux and Federeaux : Authenticite - The Syliphone Years: 1965-1980
(price reduced) 2 CD set, with excellent packaging and notes, of classic, 'golden age' music from two of Guinea's finest ensembles, Orchestre Nationaux and Orchestre Federeaux, in recordings from 1965 to 1980
Mads Hansens Kapel : Pa den forkerte side
Born in the Danish tradition, they play the old tunes with heart, soul, and strength, keeping the music of generations alive and bringing it into the 21st century. The music is straightforward and honest, creating a space of exploration and playfulness. As the dancing tunes are living things, constantly evolving throughout the ages, so are the music of Mads Hansens Kapel, interpreted with equally respect for the tradition and the curiosity of the contemporary. This debut release "På den forkerte side" present 5 great tunes composed by legendary music director Ditlev Trappo Saugmann Bjerregaard (1852-1916).
Zafir : Klang i Natten
New Scandinavian music for Hang, Harp and Bass. Benjamin, Anette and Anja come from totally different musical backgrounds; Anja's roots are in folk music, Benjamin is an autodidact percussionist and Anette is educated in classical music. Their individual musical expression is mixed together in a fabulative world which is meditative, rhythmic and playful.rwm-samurai
Srikanth, Svensson, Moberg and Eden : Nordic Raga
Jyotsna Srikanth, Dan Svensson, Par Moberg and one of our favorite artists, fiddler Mats Eden merge Nordic folk music traditions with the improvisational and structural idiosyncrasies of the Indian raga form. What results is not an easternized Nordic music, nor a northerized Indian music, but something completely their own. This is a RootsWrold Music of the Month selection, donated by the artists and label, and all proceeds support the radio show and magazine.
WoWaKin : Kraj za miastem
The trio WoWaKin was founded in the spring of 2016. The three musicians in the ensemble (Paula Kinaszewska, Bartlomiej Wozniak and Mateusz Wachowiak) bring together a wide range of experience in classical, jazz and contemporary music, and use those skills to explore the roots of Polish village dance music. They recreate the spirit of a traditional village celebration, drawing a new generation of dancers into trance-like state through inventive, open-ended improvisation using a repertoire of mazurkas, oberkas, polkas, kuyaviaks, and Polish-style tangos. Beside the violin, three-row Polish accordion and drums they use banjouke and harmonica.
The Henrys : Quiet Industry
The 2015 release by Toronto legends, The Henrys. Led by kona-guitarist Don Rooke, with Hugh Marsh (violin), John Sheard (pump and electric organs), Andrew Dowling (acoustic bass), David Di Renzo (percussion) and vocalists Gregory Hoskins and Tara Dunphy. This one is heavy on lyrics and introduces a great new singer to the band. Highly recommended.
WOR : Sssht
This Belgian band likes to say that they go "Back to the 1780's" with a full throttle sound that uses old Flemish souces to build their repetoire. They delved into manuscripts of music saved by old village and city musicians from Antwerp, Brussels, Gent and Leuven and then go full tilt into making them their own, with baritone and soprano saxophones, bagpipes, muestte, accordion and guitar.
Danyel Waro : Monmon
Danyel Waro has always stayed faithful to the acoustic tradition of Maloya of Reunion Island. As a musician and poet, he sings Creole with unparalleled emotion: 'Maloya, for me, is first and foremost about the word. I'm looking for the cadence, the image, the rhythm in the word. Maloya has put me in touch with Reunion, with its people, with our language.'
Dalava : The Book of Transfigurations
Guitarist Aram Bajakian and vocalist Julia Ulehlas Dálava project is an homage to traditional Moravian folk music, taking melodies transcribed over 100 years ago by Ulehlas great-grandfather, and reinventing them in stirring, sometimes avant-garde musical language.It delves into deep territory; conjuring ancestors, animating spirits, and crafting musical microcosms around the gem-like folk melodies. This fractured village music channels the voices of a bygone era. Their first album was a RootsWorld 'Music of the Month' pick, and this one is equally engaging.
Kala Jula : Mande Kulu
kala Jula is a quartet with Samba Diabaté on guitar and ngoni, Vincent Zanetti on guiatar, harp-luth and percussion, Hélène Labarrière on bass, Jacky Molard on violin and alto. While the music is deeply endebted to the Mande tradition of Mali, this global quartet finds new ways to reach its spirit.
Erlend Viken Trio : Nykomlingen
Erlend Viken leads his trio on fiddle, Hardanger fiddle and vocals, with Marius Graff on guitar, electric guitar, banjo and lead vocals, and Leo Svensson Sander on cello and vocals. Three tracks include Oyvind Skarbo on drums
Jonas Simonson : Till Tranland
The Swedish fluatist is joined by Emma Johansson on the flute, and Ellika Frisell and Mia Marin on the fiddles and viola. 'To Craneland' is a tribute to the water bird and its migratory patterns, and features compositions from all of the ensemble's members.
Trio Tekke and Dave De Rose : Zivo
The trio bring along a percussionist for their third recording. Formed in London in November 2005 by Antonis Antoniou (tzouras, vocals, and a member of Monsieuer Doumani), Lefteris Moumtzis (guitar, vocals) and Colin Somervell (double bass), the band experiments with a raw, acoustic reinvention of the rebetiko of Greece and beyond.
Tunde Jegede and Derek Gripper : Mali in Oak
British kora and cello player Jegede and South African guitarist Gripper join together to explore the music of Mali in a unique set of their own arrangments of the tradition. Recorded at the Globe Theater (as in, Shakespeare's Globe), the sound is gorgeous, the music superb, and the musicianship of the highest level.
Trad.Attack! : Kullakarva - Shimmer Gold
This Estonian band uses tradition as a jumping off point for a vocal infused, high energy folk music that jusmps into the same territory as Hedningarna and Varttina. They take traditional songs – sometimes starting with scratchy recordings of long vanished village voices – and build pulsating rhythmic structures, creating an impressively big sound from acoustic 12-string guitar, drums and an array of whistles, bagpipes and jew's harps.
Vasen : Brewed
The Swedish acoustic juggernaut returns with a 2017 release of 15 original pieces, from the tradition but not bound to it. Olov Johansson's nyckelharpa (Swedish keyed fiddle) and Mikael Marin's 5-string viola are once again pushed along by the rhythm of Roger Tallroth's 12-string guitar.
Amine and Hamza : Fertile Paradoxes
Amine and Hamza M'raihi are Tunisian musicians and brothers, playing the oud and the qanun. With their Band Beyond Borders, they are bringing together musicians from around the world, - French clarinetist Blaise Ubaldini, Swiss-Indian violinist Baiju Bhatt, Swedish percussionist Fredrik Gille and guests including cellist Vincent Segal, infusing their Arabic roots with jazz and global roots.
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